![]() Traditionally, the modulator input has been a voice, but you can use any type of audio, including a live microphone feed for real-time vocoding. Its use on numerous novelty records, as well as for the production of 'robot' voices in sci-fi television programmes, has created the impression that the only thing vocoders are useful for is sound effects.Ī vocoder allows you to impose the envelope and tonal characteristics of an incoming audio signal (the modulator input) onto a synthesizer sound (the carrier input). Vocoders (derived from the term Voice En coder) were originally developed by the telecommunications industry in the 1930s, but came into wider musical use in the '70s, with the advent of affordable synthesizers. EVOC20 PS (polyphonic synthesizer) is a combined vocoder and synthesizer virtual instrument, while EVOC20 TO (tracking oscillator) and EVOC20 FB (filter bank) are both effect plug-ins, and all require different approaches to achieve the best results. I think this is partly because it's not particularly 'plug and play' in its operation, and partly because it actually consists of three plug-ins rolled into one. ![]() It's ignored by many who think that vocoders can only produce a certain type of sound, and in some cases (if it's used at all) it's only implemented as a basic synthesizer. The EVOC20 vocoder is one of Logic's most misunderstood and misused virtual instruments. We attempt to demystify the EVOC20 vocoder plug-in and suggest ways in which it could be useful in all kinds of music, not just as a tool to produce silly noises!
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